ZOEF is a creative, creating collective. Every performance has its own character, transforming the location and context into a musical expierence. We try to push our environment and ourselves to move boundaries. Together with our audience, we explore different styles with arrangements tailored to our ensemble.
This collective emerged from the mindset of the Ricciotti Ensemble. Here we gathered experiences with playing for many different audiences and learned how to make authentic connections through a broad and diverse repertoire. Starting from our base repertoire (incl. Bach, Britten, Fauré, Piazzolla, Purcell, Vaughan Williams, and different arrangements of jazz, klezmer and folk music) we build an authentic performance for each location, inspired by our audience. By visiting and exploring our locations in advance, we often arrive at the topics that will determine our performance.
oboist and philosopher
violinist
violinist and historian
violinist and remedial educationalist
violist and IT engineer
cellist and mathematician
bass player and IT engineer
singer, violinist and anthropologist
With our broad field of interests, we can connect to our audience in many different ways and inspire from different perspectives and specializations. Many of our members are multi-instrumentalists, as well, giving us a broad range of styles and combinations to choose from.
Photography credits: Julia Koenen. Please request permission before use.
Most of our performances are a part of bigger projects in which we try to reach a specific audience.
For which audience? Individuals in homeless shelters
The pilot project of the previous year was full of heartwarming and meaningful moments: "Many of our residents are depressed and don't see many moments of joy, but you brought a lot of light and joy to our shelter" (coach at one of the shelters ZOEF visited). We would like to build on this and extend the project to even more people. With everything that we've learned from the pilot project, this new phase will be at bigger scale and hopefully reach even more and younger homeless individuals. In close collaboration with the Dutch shelter organization "Leger des Heils", we will visit 10 shelters across the Netherlands, starting in April 2024.
For which audience? Individuals in homeless shelters
We channeled the untapped cultural talents of homeless individuals in this project, where we coached them in writing their own music. This pilot was a collaboration with Joris Branderhorst (also known as George Kush).
For which audience? Patients in psychiatric clinics and in insitutions for the syndrome of Down
For persons with a mental handicap, music can be a powerful force for connection and inspiration. In this project in 2022, we hope to provide at least 10 performances for these persons, bringing our music and tailor-made performance to them. To make our performances accessible to the whole audience, we include them in the process by involving elements of drawing and improvisation.
For which audience? Students (vocational and scientific education)
Being a student in this time of social isolation is difficult. In this project, we want to reach and connect those students, coming to their doorstep or school and playing custom-made performances for them.
This project is financially supported by the Fonds Podiumkunsten.
For which audience? Everybody
In this project, we collaborated with a young Dutch composer to make his dream a reality: recording a CD of his music with a classical ensemble. The album with music by Chiel Nugter can be found on Spotify.
For which audience? Children at special education schools
In our first project, we wanted to connect one that was disproportionally affected by the COVID-19 pandemic: children with special education needs. We made custom musical performances for each occasion and managed to play for hundreds of children, in total.
This project was financially supported by the Prins Bernhard Cultuurmakersfonds.
Performances we have given or will give. More to come - check back later for more!
We will play at a vocational training school for young adults, bringing a custom-made performance with a diverse repertoire to their campus.
We will give a short performance and talk for music education students, giving them a peek behind the curtains of how we try to reach new audiences and what educational elements we include in our performances. This is part of a larger trajectory in which those students will then go on to create a set of recommendations for a specific performance, which we can then try out in practice.
At this school for special education, we delivered interactive performances where children got to experience and participate in music from close up. On this second day, we gave 4 performances.
At this school for special education, we delivered interactive performances where children got to experience and participate in music from close up. On this first day, we gave 5 performances.
At this school for children with special needs, we delivered a unique performance with an animal-theme. With the help of several custom-made arrangements of Carnaval des Animaux, we toke the children on a musical safari.
We played at a vocational training school for young adults. Normally, these students would go to some external location once every couple of months to broaden their horizons, but because of the pandemic, this was not possible. Luckily, we could step in and bring our performance to them, on-campus.
We played at a local community center where students and persons with a refugee-background live. After enjoying the delicious dinner they made, we performed a selection of our repertoire for them.
We played at the ceremony for the "Zilveren Anjers", where volunteers were awarded a medal for contributions to culture. The recognitions were awarded by her Majesty, Princess Beatrix.
We were a part of the "Time Out" theatre performance, performing a specially arranged song.
We performed a selection of our repertoire at a funeral near Eindhoven, to lend strength to the attendees.
At this school, we gave a series educational performances, featuring a unique composition workshop where we gave the children the opportunity to build their own music piece, as a group. On this second day, we gave one performance.
At this school, we gave a series educational performances, featuring a unique composition workshop where we gave the children the opportunity to build their own music piece, as a group. On this first day, we gave two performances for two different age groups.
We have a broad array of custom-made arrangements from many different genres. For each situation, we create a custom-made performance consisting of both our standard repertoire but also of requests from the audience. Below is a selection of our current repertoire: